German artist Thilo Heinzmann continues Modernism’s breaking-down and reevaluation of the act of painting. In his recent work, he uses pigment powder – color in its purest form. Heinzmann limits the paint and pigment application to one single movement per canvas; his techniques involve handwork or the use of special instruments, both combined with streams of air, resulting in a quiet, yet gestural work. Through these processes, his beautiful canvases seem to balance the properties of air (rather than liquid, as in traditional oil painting), a conceptual look at art history, and a dose of Dadaist chance. Heinzmann will be included in the upcoming group show Masterpieces of Painting in the IVAM Collection: Past, Present and Future at IVAM Institut Valencia d’Art Modern. He has shown extensively in Europe at Galerie Guido Baudach, Berlin; Galerie Christine Mayer, Munich; Carl Freedman Gallery, London; and Galeria Heinrich Erhardt, Madrid. His work has recently been acquired by the Tate Gallery Collection in the UK.
Thilo Heinzmann
O.T.
2011
oil and pigment on canvas behind plexiglass cover
54 1/4 x 58 1/4 x 3 1/2 inches