Born in Cherokee, Iowa on November 18th, 1936, Doug Ohlson served in the U.S. Marine Corps before graduating from the University of Minnesota in 1960 with a degree in painting. Moving to New York City in December the same year, he soon became an active member of the New York School of painters and poets. In 1964 Ohlson joined the faculty at Hunter College, which included Helen Frankenthaler, Robert Motherwell, Ad Reinhardt, Mark Rothko, Tony Smith, Robert Morris, and Ray Parker.
During the 60s, Ohlson made hard-edged geometric paintings that played with nuanced relationships between colors. Throughout his career he varied the scale and method of his painting but always retained his intensity of color and form. As art critic Carter Ratcliff wrote: “Almost offhandedly, Ohlson dares us to make sense of these chromatic clashes and spatial discords. When we take up the dare, things come alive: our memories, our imaginations and ultimately the paintings.”
Ohlson had his first New York solo exhibition in 1964, and thereafter was regularly included in major exhibitions worldwide. He exhibited consistently in New York galleries over the course of his 46-year-long professional career. Ohlson’s work was shown alongside other color field and minimalist artists in the major 1968 exhibition Art of the Real at the Museum of Modern Art in NYC, which traveled to the Kunsthaus Zürich, the Tate in London, and the Grand Palais in Paris. A 20-year survey of his work was exhibited in 2002 at the Times Square Gallery at Hunter College.
Ohlson’s work is included in numerous permanent collections including the Metropolitan Museum of Art; the Brooklyn Museum; the National Gallery of Art, Washington, D.C.; the Museum für Moderne Kunst, Frankfurt; the Dallas Museum of Art; the Whitney Museum of American Art; the Minneapolis Institute of Art; the Museum of Fine Arts, Boston; and the Los Angeles County Museum of Art, amongst others.
[excerpted from Louis Stern Fine Arts website: www.louissternfinearts.com]